Butter.

Evan.93'.Brampton.Canada.Nature.Fashion.Music.Poison.Sport.Women.Self. http://ewmc.tumblr.com/me

Butter.
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touchdisky:

東京。事變* 50 
(《 DENN IS 》)
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July 16, 1969: The Earth photographed by the Apollo 11 crew on their first day in orbit.
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riverofbones:

vintage & summer ❂
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asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
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life1nmotion:

House in Nova Lima by Denise Macedo Arquitetos
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boldempire:

Bold Empire // Merricks House by Robson Rak | ©
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boldempire:

Bold Empire // Malvern House by Robson Rak | ©
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